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Linda Williams (film scholar)

linda williams film scholar definition, linda williams film scholar dracula
Linda Williams born December 18, 1946 is an American professor of film studies in the departments of Film Studies and Rhetoric at University of California, Berkeley

Williams graduated from University of California, Berkeley with a BA in Comparative Literature in 1969, and then earned a PhD at the University of Colorado for her dissertation subsequently published as Figures of Desire: A Theory and Analysis of Surrealist Film1 Her main academic areas of interest are: film history, film genre, melodrama, pornography, feminist theory and visual culture; all with an emphasis on women, gender, race, and sexuality1

With respect to film genres, she argues that horror, melodrama, and pornography all fall into the category of "body genres", since they are each designed to elicit physical reactions on the part of viewers Horror is designed to elicit spine-chilling, white-knuckled, eye-bulging terror often through images of blood; melodramas are designed to elicit sympathy often through images of tears; and pornography is designed to elicit sexual arousal often through images of "money shots"2 Williams believes that much pornographic expression, and the form that expression takes, is due to the distance between the audience and the actual performers, and so, she concludes, much of what pornography becomes is a type of compensation for the distance between viewer and viewed3


  • 1 Writings
    • 11 Author
    • 12 Editor
    • 13 Journal articles
  • 2 Professional Experience
  • 3 Selected Honors and Awards
  • 4 References
  • 5 External links



  • Figures of Desire: A Theory and Analysis of Surrealist Film, University of Illinois Press, 1981 Paperback edition: University of California Press, 1992, ISBN 0-520-07896-9
  • Hard Core: Power, Pleasure and the Frenzy of the Visible University of California Press, 1989 Expanded Paperback Edition: University of California Press, 1999, ISBN 0-520-21943-0
  • Playing the Race Card: Melodramas of Black & White from Uncle Tom to OJSimpson, Princeton University Press, Paperback edition, 2002, ISBN 0-691-10283-X
  • Screening Sex, Duke University Press, 2008, ISBN 978-0-8223-4285-4
  • On The Wire Forthcoming


  • Revision: Essays in Feminist Film Criticism Coedited with Mary Anne Doane and Patricia Mellencamp, American Film Institute Monograph Series Frederick Maryland: University Publications of America, 19841
  • Viewing Positions: Ways of Seeing Film Edited New Brunswick: Rutgers University Press, 1994 ISBN 0-8135-2133-5
  • Reinventing Film Studies Co-edited anthology with Christine Gledhill London: Edward Arnold New York: Oxford University Press, 2000 ISBN 0-340-67723-6
  • Porn Studies Durham: Duke University Press, 2004 ISBN 0-8223-3312-0

Journal articlesedit

  • Williams, Linda Winter 1993 "A provoking agent: the pornography and performance art of Annie Sprinkle" Social Text, special section edited by Anne McClintock: Explores the Sex Trade Duke University Press via JSTOR 37: 117–133 JSTOR 466263 doi:102307/466263 
  • Williams, Linda Autumn 2004 "Why I did not want to write this essay" Signs: Journal of Women in Culture and Society, special issue: Beyond the Gaze: Recent Approaches to Film Feminisms University of Chicago Press 30 1: 1264–1271 doi:101086/422234 
  • Williams, Linda January 2014 "Pornography, porno, porn: thoughts on a weedy field" Porn Studies Taylor and Francis 1 1–2: 24–40 doi:101080/232687432013863662 

Professional Experienceedit

  • Assistant Professor of English, University of Illinois, Chicago 1977-83
  • Associate Professor of English, University of Illinois, Chicago 1984-89
  • Professor, Film Studies, University of California, Irvine 1989-97
Acting Director, Winter 1993 Director, Summer 1994 and Spring 1996
  • Professor of Film Studies and Rhetoric, University of California, Berkeley 1997–Present
Director of Program in Film Studies, July 1999-Present 4

Selected Honors and Awardsedit

  • 1989 Katherine Singer Kovacs Prize in Film, TV, and Video Studies for essay Fetishism and the Visual Pleasure of Hard Core: Marx, Freud and the 'Money Shot'; and finalist for the best book in Cinema Studies: both the Jay Leyda Prize and the Kovacks Prize for Hard Core
  • 2004 Distinguished Teaching Award, UC Berkeley 5
  • 2004-5 Humanities Research Fellowship, UC Berkeley
  • 2011 Faculties Research Lecture, UC Berkeley 5
  • 2012 Katherine Singer Kovacs Prize for "'Cluster Fuck': The Forcible Frame in Errol Morris' Standard Operating Procedure" 6
  • 2013 Society for Cinema and Media Studies Career Achievement Award 7
  • Class of 1940, Second Chair: University of California, Berkeley


  1. ^ a b c fmberkeleyedu
  2. ^ Keith, Barry Film Genre: From Iconography to Ideology Wallflower Press: 2007
  3. ^ Williams, Linda 1989 Hard Core: Power, Please, and the "Frenzy of the Visible" Berkeley and Los Angeles: University of California Press p 78 ISBN 0-520-06652-9 
  4. ^ Linda Williams, Curriculum Vita
  5. ^ a b http://rhetoricberkeleyedu/peoplephppage_id=1056&p=65
  6. ^ "Archived copy" Archived from the original on 2013-05-14 Retrieved 2013-04-26 
  7. ^ http://wwwcmstudiesorg/DCAA_speeches

External linksedit

  • Linda Williams's faculty page

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Linda Williams (film scholar)

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